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Konstantin Andreevich Somov의 작품들 (화가)


























































































Konstantin Andreevich Somov (1869-1939)
Konstantin Andreevich Somov (1869-1939) Russian painter, a representative of Russian Symbolism and Modernism. Born in
St. Petersburg 18 (30) November 1869 in a family known art historian, AI Somov, which has long been a senior keeper of the Hermitage. In 1888-1897 he studied at the St. Petersburg Academy of Arts, where he was responsible for, inter alia, in the studio
of Ilya Repin. In 1897-1899 attended a boarding school in the Paris studio of F. Kolarossi; during this period met with A. Benoit
and several other "miriskusnikov. Experienced a strong influence of Western modernism graphics (O. Berdsli), as well as the
paintings of French Rococo. He was a member of the "World of Art". As a painter known portraits, but especially genre scenes, resurrect genteel world court balls and masquerades "gallant" 18 century ( "Lady in blue dress" .1897-1900, "Evening", 1900-1902, "Winter. Katok" , 1915). The modern view is combined here with flashbacks of former romantically-trick. Internally, unreal,
something like a full-scale vision, even if it is routine, not the historical landscapes of the master ( "Rainbow", 1908). On the
contrary, merely realistic - his or her intellectual energy - has established creative images of people (written in mixed media
portraits of A. Block, M. Dobuzhinsky, M. A. Kuzmin, E. Lanceray, FK Sologub, 1907-1910), considered to be an objective.
Fluency in different techniques, Somov as illustrator made an outstanding contribution to the art of the book, where his
characteristic style flavor of black grotesque prostupil more acute. Performed a series of covers and frontispiece for books of
poetry simvolistskoy (books KD Balmont, Blok, V. Ivanov, and others) of his illustrative cycles of the most famous "Earl Nulin" Alexander Pushkin (1899), " Nevsky Prospect "and" Portrait "Gogol (1901)," The Book of marquise "F.fon Bley (1908) (published
in full" erotic form "in 1918). Also set up exquisite "rokaylnye" sketches porcelain figurines ( "The Lady, remove the mask, 1906,
etc.). Moved to 1923 on a business trip to New York, hu

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